Knowledge Distillation for Speech Denoising by Latent Representation Alignment with Cosine Distance

Speech denoising is a generally adopted and impactful task, appearing in many common and everyday-life use cases. Although there are very powerful methods published, most of those are too complex for deployment in everyday and low-resources computational environments, like hand-held devices, intelligent glasses, hearing aids, etc. Knowledge distillation (KD) is a prominent way for alleviating this complexity mismatch and is based on the transferring/distilling of knowledge from a pre-trained complex model, the teacher, to another less complex one, the student. Existing KD methods for speech denoising are based on processes that potentially hamper the KD by bounding the learning of the student to the distribution, information ordering, and feature dimensionality learned by the teacher. In this paper, we present and assess a method that tries to treat this issue, by exploiting the well-known denoising-autoencoder framework, the linear inverted bottlenecks, and the properties of the cosine similarity. We use a public dataset and conduct repeated experiments with different mismatching scenarios between the teacher and the student, reporting the mean and standard deviation of the metrics of our method and another, state-of-the-art method that is used as a baseline. Our results show that with the proposed method, the student can perform better and can also retain greater mismatching conditions compared to the teacher.

Impact of Microphone Array Mismatches to Learning-based Replay Speech Detection

In this work, we investigate the generalization of a multi-channel learning-based replay speech detector, which employs adaptive beamforming and detection, across different microphone arrays. In general, deep neural network-based microphone array processing techniques generalize poorly to unseen array types, i.e., showing a significant training-test mismatch of performance. We employ the ReMASC dataset to analyze performance degradation due to inter- and intra-device mismatches, assessing both single- and multi-channel configurations. Furthermore, we explore fine-tuning to mitigate the performance loss when transitioning to unseen microphone arrays. Our findings reveal that array mismatches significantly decrease detection accuracy, with intra-device generalization being more robust than inter-device. However, fine-tuning with as little as ten minutes of target data can effectively recover performance, providing insights for practical deployment of replay detection systems in heterogeneous automatic speaker verification environments.

Score-informed Music Source Separation: Improving Synthetic-to-real Generalization in Classical Music

Music source separation is the task of separating a mixture of instruments into constituent tracks. Music source separation models are typically trained using only audio data, although additional information can be used to improve the model's separation capability. In this paper, we propose two ways of using musical scores to aid music source separation: a score-informed model where the score is concatenated with the magnitude spectrogram of the audio mixture as the input of the model, and a model where we use only the score to calculate the separation mask. We train our models on synthetic data in the SynthSOD dataset and evaluate our methods on the URMP and Aalto anechoic orchestra datasets, comprised of real recordings. The score-informed model improves separation results compared to a baseline approach, but struggles to generalize from synthetic to real data, whereas the score-only model shows a clear improvement in synthetic-to-real generalization.

Multi-channel Replay Speech Detection using an Adaptive Learnable Beamformer

Replay attacks belong to the class of severe threats against voice-controlled systems, exploiting the easy accessibility of speech signals by recorded and replayed speech to grant unauthorized access to sensitive data. In this work, we propose a multi-channel neural network architecture called M-ALRAD for the detection of replay attacks based on spatial audio features. This approach integrates a learnable adaptive beamformer with a convolutional recurrent neural network, allowing for joint optimization of spatial filtering and classification. Experiments have been carried out on the ReMASC dataset, which is a state-of-the-art multi-channel replay speech detection dataset encompassing four microphones with diverse array configurations and four environments. Results on the ReMASC dataset show the superiority of the approach compared to the state-of-the-art and yield substantial improvements for challenging acoustic environments. In addition, we demonstrate that our approach is able to better generalize to unseen environments with respect to prior studies.

The Accuracy Cost of Weakness: A Theoretical Analysis of Fixed-Segment Weak Labeling for Events in Time

Accurate labels are critical for deriving robust machine learning models. Labels are used to train supervised learning models and to evaluate most machine learning paradigms. In this paper, we model the accuracy and cost of a common weak labeling process where annotators assign presence or absence labels to fixed-length data segments for a given event class. The annotator labels a segment as "present" if it sufficiently covers an event from that class, e.g., a birdsong sound event in audio data. We analyze how the segment length affects the label accuracy and the required number of annotations, and compare this fixed-length labeling approach with an oracle method that uses the true event activations to construct the segments. Furthermore, we quantify the gap between these methods and verify that in most realistic scenarios the oracle method is better than the fixed-length labeling method in both accuracy and cost. Our findings provide a theoretical justification for adaptive weak labeling strategies that mimic the oracle process, and a foundation for optimizing weak labeling processes in sequence labeling tasks.

Automatic Live Music Song Identification Using Multi-level Deep Sequence Similarity Learning

This paper studies the novel problem of automatic live music song identification, where the goal is, given a live recording of a song, to retrieve the corresponding studio version of the song from a music database. We propose a system based on similarity learning and a Siamese convolutional neural network-based model. The model uses cross-similarity matrices of multi-level deep sequences to measure musical similarity between different audio tracks. A manually collected custom live music dataset is used to test the performance of the system with live music. The results of the experiments show that the system is able to identify 87.4% of the given live music queries.

Gen-A: Generalizing Ambisonics Neural Encoding to Unseen Microphone Arrays

Using deep neural networks (DNNs) for encoding of microphone array (MA) signals to the Ambisonics spatial audio format can surpass certain limitations of established conventional methods, but existing DNN-based methods need to be trained separately for each MA. This paper proposes a DNN-based method for Ambisonics encoding that can generalize to arbitrary MA geometries unseen during training. The method takes as inputs the MA geometry and MA signals and uses a multi-level encoder consisting of separate paths for geometry and signal data, where geometry features inform the signal encoder at each level. The method is validated in simulated anechoic and reverberant conditions with one and two sources. The results indicate improvement over conventional encoding across the whole frequency range for dry scenes, while for reverberant scenes the improvement is frequency-dependent.

Text-based Audio Retrieval by Learning from Similarities between Audio Captions

This paper proposes to use similarities of audio captions for estimating audio-caption relevances to be used for training text-based audio retrieval systems. Current audio-caption datasets (e.g., Clotho) contain audio samples paired with annotated captions, but lack relevance information about audio samples and captions beyond the annotated ones. Besides, mainstream approaches (e.g., CLAP) usually treat the annotated pairs as positives and consider all other audio-caption combinations as negatives, assuming a binary relevance between audio samples and captions. To infer the relevance between audio samples and arbitrary captions, we propose a method that computes non-binary audio-caption relevance scores based on the textual similarities of audio captions. We measure textual similarities of audio captions by calculating the cosine similarity of their Sentence-BERT embeddings and then transform these similarities into audio-caption relevance scores using a logistic function, thereby linking audio samples through their annotated captions to all other captions in the dataset. To integrate the computed relevances into training, we employ a listwise ranking objective, where relevance scores are converted into probabilities of ranking audio samples for a given textual query. We show the effectiveness of the proposed method by demonstrating improvements in text-based audio retrieval compared to methods that use binary audio-caption relevances for training.

A decade of DCASE: Achievements, practices, evaluations and future challenges

This paper introduces briefly the history and growth of the Detection and Classification of Acoustic Scenes and Events (DCASE) challenge, workshop, research area and research community. Created in 2013 as a data evaluation challenge, DCASE has become a major research topic in the Audio and Acoustic Signal Processing area. Its success comes from a combination of factors: the challenge offers a large variety of tasks that are renewed each year; and the workshop offers a channel for dissemination of related work, engaging a young and dynamic community. At the same time, DCASE faces its own challenges, growing and expanding to different areas. One of the core principles of DCASE is open science and reproducibility: publicly available datasets, baseline systems, technical reports and workshop publications. While the DCASE challenge and workshop are independent of IEEE SPS, the challenge receives annual endorsement from the AASP TC, and the DCASE community contributes significantly to the ICASSP flagship conference and the success of SPS in many of its activities.

SynthSOD: Developing an Heterogeneous Dataset for Orchestra Music Source Separation

Recent advancements in music source separation have significantly progressed, particularly in isolating vocals, drums, and bass elements from mixed tracks. These developments owe much to the creation and use of large-scale, multitrack datasets dedicated to these specific components. However, the challenge of extracting similarly sounding sources from orchestra recordings has not been extensively explored, largely due to a scarcity of comprehensive and clean (i.e bleed-free) multitrack datasets. In this paper, we introduce a novel multitrack dataset called SynthSOD, developed using a set of simulation techniques to create a realistic (i.e. using high-quality soundfonts), musically motivated, and heterogeneous training set comprising different dynamics, natural tempo changes, styles, and conditions. Moreover, we demonstrate the application of a widely used baseline music separation model trained on our synthesized dataset w.r.t to the well-known EnsembleSet, and evaluate its performance under both synthetic and real-world conditions.